As an adoptive parent, I often ponder the role my husband and I play in who our son is as a person. How much is genetic? How much is our influence—the environment we’ve created? These are certainly not new ideas. The nature-nurture debate has raged for centuries, and I have no delusions about bringing anything new to the discussion, but it is a topic brought to the forefront of my mind a few nights ago while attending a concert.
We’re big fans of the Celtic band Gaelic Storm (check them out!
), and see them whenever we can. This past summer, we took our son to his first show, and he was hooked. This week took him to show number two. We were front row, center, which gave kiddo the chance to really ham it up, which he did with great gusto. He spent the evening dancing right up by the stage, and by the end of the night, was completely wiped out. It was well past bedtime, and as they were playing their final song of the set, he finally sat down with me. My husband and I were sure he would fall asleep. Snuggled up to me, his sleepy voice asked, “Mommy, can we go home now?”
I told him they would play one more song, the encore, and then it would be all done and we could go home. He was agreeable to staying until the end.
After raucous applause, the band came back for their encore, and played “What’s the Rumpus?” Hearing the familiar song begin, a reenergized kiddo jumped up and started to dance again, joining the rest of the crowd which was on its feet. As the song went on, he began to run out of steam, so I picked him up so we could finish out the night dancing together.
Patrick Murphy, singer, musician, and all around cool guy, came to the front of the stage and motioned to me. He looked down at kiddo and held his hands out. With only a slight feeling of trepidation, I handed him over and watched as our little man was lifted on stage. I looked at my husband, knowing we shared the same thought. This would either be a smashing success, or a colossal failure. Our kid is not shy, but he was tired. And when he’s tired, watch out.
Fortunately, he was thrilled. He was handed a mallet, and given free rein to bash away at a cymbal. He embraced the task with great gusto, and the crowd went wild, cheering with each crash, egging him on. He looked from band member to band member, as if suspecting it was all too good to be true, but they smiled and encouraged him, seeming to enjoy the moment every bit as much as he.
After this went on for a bit, I went to the steps of the stage, figuring he would see me and come running.
Not even close.
I found myself onstage, standing next to a gleeful child still bashing away at that magical cymbal. When I finally got him off stage, he asked, “Can I have the violin next?”
After the show, he hammed it up some more with the band, and Pat expressed his admiration, telling us on the occasions when they do take a kid on stage, they usually stand there, frozen.
Not our kid. He was fearless and grabbed the moment with both hands, which got me thinking. I was the same way when I was a kid: a bold people person who would have done the exact same thing, begging the question: where does he get it? Is it our influence over him, teaching him never to be afraid of being himself? Do his observations of our interactions with the world shape the outgoing personality he’s developed? Or is it just who he is? Is it in his DNA?
We may never know, but it sure is fun to think about.